11/11/2022 0 Comments Jane eyre movie michael fassbender![]() It is his equivalent of passing her a note in Health class that says “Do you like me? Check Yes or No.” It’s a completely deranged episode, and reveals him as the oddball that he is. He had created this whole crazy plan so that he could find out how Jane felt about him. Naturally, it turns out that the gypsy-woman is actually Mr. Jane fumbles her replies, but Jane is not a dissembler. Jane is led in to see the veiled gypsy-woman, who then proceeds to interrogate her about how she feels about her employer, Mr. Rochester disappears, and it is announced that a gypsy-woman has arrived and is going to tell each guest’s fortune. He insists that Jane join the party, even though she doesn’t have evening wear, and she feels uncomfortable. Rochester has a bunch of guests over for a party. In the book, there is one unforgettable scene in which Mr. It’s a matter of chemistry, pure and simple. She keeps trying to set boundaries, and he finds himself unable, again and again, to respect them. Still, something of that dynamic does exist, in the strange interactions between Rochester and Jane. Unfortunately, Fukunaga deals with this film-making challenge by downplaying this aspect of the book, with the result that the film fails to achieve the book's affecting weirdness. It is wild and passionate, agonizing and glorious, and when your lover calls out to you in his time of need, even if you are miles away, you will hear. It cannot exist in a parlor with clattering tea cups. The book ends with a literal shout of anguish across the space-time continuum: all boundaries, including geographical ones, disappear. He yearns for something more.Īs I said, there is a supernatural element to the book, not to mention the truly Gothic horror of a madwoman literally locked in an attic, and a demoniac laugh echoing through the house in the dead of night. The women he has known thus far have been French floozies or elegant, teasing English ladies. Meanwhile, Fassbender sits back in his chair, gloriously redolent and languid, comfortable in his own skin, but with a flicker of something else in his eyes. With every expression that flickers over her face, we feel the eruptions of uncertainty and pride and desire doing battle within her. Wasikowska, delicate and yet firm-looking, with brown braids looping down the side of her face, looks strikingly like the few images we have of Charlotte Bronte. Jane is no shrinking violet, although she has zero experience with men, and almost no experience with casual conversation. Rochester is a very weird man), and the two scenes in which Wasikowska and Fassbender sit and talk by the fire, when they have their first conversations, are lifted almost word-for-word from the book. If there were an HR department at Thornfield Hall, he would be called in for sexual-harassment training.Ĭharlotte Bronte captures a very specific dynamic in her book (Mr. This makes him captivating, but also a little bit off, morally. He has no sense of the differences in their stations. She appears in his home to teach his young ward (a French orphan), and he takes some kind of strange shine to her. ![]() You would never find either of these characters strolling into a Jane Austen novel. Jane has been making her way toward him all along. ![]() ![]() Rochester finally appears, a galloping black-cloaked figure in a haunted foggy wood, we are ready for him. The present-Jane, fearful and heartbroken, finds shelter with a rector’s family, and through her recovery, the story launches us back to her beginnings as a child (Amelia Clarkson). It’s a bold way to begin, thrusting us into the climax of the story with no explanation, and Wasikowska, lying on her back on a rocky plateau, sobbing, is our introduction to the downtrodden and mistreated (yet fiery-spirited and independent) Jane Eyre. Fukunaga messes with the structure (the screenplay is by Moira Buffini), splitting up the chronology of the book so that we start with Jane Eyre fleeing from Thornfield Hall, a lonely weeping figure staggering across the lonely moors (this episode comes three quarters of the way through the book). ![]() It is a first-person narrative, taking us from Jane’s loveless youth and leading us through her brutal schooling, until she gets the governess position at Thornfield Hall, owned by the imposing and mysterious Mr. The story is well-known to most anyone who has ever taken an English literature course. ![]()
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